Warhammer has always had an imposing barrier to entry. The long-running miniatures property has been around since the early 1980s, with a seemingly endless flow of new figures, rules, and lore to comprehend. And yet, the quality of those intricate figures and the strength of a thoughtfully fostered community of gamers has kept the franchise alive for decades, broadening out into novels, video games, and more. At Games Workshop, after all these years, the game’s creators recently took a dramatic step, destroying the very world the game is based on. I recently visited with Games Workshop to learn what comes next, and the ways in which Warhammer is seeing its biggest reinvention ever in the Age of Sigmar.
I have a special perspective on Warhammer, but not one that is unique. As a longtime video game and tabletop game player, I’ve brushed against knowledge of Warhammer for years, but I’ve never fully embraced the title. I play other miniature-based experiences, and I’ve had my fair share of time running around in video game versions of the Warhammer universe. But like many fellow gamers, Warhammer has always seemed prohibitive. The long history of the fiction seems convoluted, the rules require a deep dedication, and the craft involved in preparing and painting the unpainted models is incredibly time and money intensive.
Games Workshop has a big challenge in front of it if it hopes to draw in players like myself, while simultaneously maintaining the enthusiasm of its devoted community of fans. The studio’s proposed solution is on the way later this month, with pre-orders opening today. Warhammer: Age of Sigmar represents the biggest fundamental change to the fantasy miniatures wargame that its creators have ever attempted.
While Age of Sigmar is a fresh jumping on point, it has its roots in the game’s most recent major storyline, The End Times. Within novels and game supplements, and over the course of many months, Games Workshop unfolded the apocalypse of its own world. Massive armies collided, magic was unleashed, and in the end, the Warhammer world was utterly destroyed.
In the wake of that conflagration, the energies unleashed produce the beginnings of a new universe. Eight mortal realms emerged, interconnected by a series of gates, as well as a ninth realm of chaos. The forces of Chaos in this new universe once again began their assault, and eventually overtook much of the mortal realms. The re-emergent god, Sigmar, withdrew into a signal celestial realm to consolidate his forces, and from here, he plans to strike back at Chaos and retake the realms.
Right from the start, the storyline of Age of Sigmar turns expectations around. Traditionally, the invading forces of Chaos must be repelled by the “good guys.” In the new game, Sigmar sends forth armies of newly forged immortal heroes, drawn from the detritus of the conquered realms, and aims to retake ground held by the rampaging forces of Chaos. The storyline is built to be an easy-to-understand story for newcomers, but one that draws on the old fiction, heroes, and gods for longtime players.
Perhaps more importantly, Age of Sigmar represents Games Workshop’s goal to tell a more robust ongoing story. Sigmar’s initial assault sends his army of Stormcast Eternals down to retake the Realm of Fire from the Khorne Bloodbound army. From this starting conflict, Games Workshop hopes to unfold an evolving tale with greater narrative direction and depth than they’ve previously included. In fact, I’m told that the first full year of storylines is already clearly planned out.
[Next Page: The rules are changing]